Activity 1 - The Rationale
Task 1
Look at all three and see where each of the bullet points above are fulfilled. Are there any of them that are missing from the brief? Why do you think this is so?
Addition: Here is a really good BBC brief that is an excellent example.
Task 2
Have a look at the websites of the following three charity organisations. I want you to make up imaginary briefs for at least one of them. Each brief must cover the SIX bullet points and you have to include what medium/s the product must consider for creation (video, website etc). Think carefully about whom the charity will want to appeal to for the target audience, and use the website to research the background to the charity and the context for the products that need to be made.
Remember, that for the exam you will NOT need to create a brief as you will have one provided for you. BUT understanding what goes into making a brief is essential if you are able to deconstruct the brief properly when you eventually receive PART A.
Charity One: Barnardos
Charity Two: Scope
Charity Three: Acorns
Part 2: Making a Moodboard
Tasks - AF Group 05/11/20 - CE Group 10/11/20
Past Paper - January 2019
Sample Marked Work
Mock 1
- Complete on a Google Doc and link to your blog
- You may use the sample answers above as guidance for structuring your response
- Due 24/11/20
Activity 2: The Pitch
What is a pitch?
Have a look at the mark scheme from the January 2020 exam...
Tasks
- Break down the band 4 response above - what are the most important things to consider?
- How can you make sure that you achieve these marks in your pitch?
Mock 2
Activity 3 - The Proposal
Here's everything broken down for you in a bit more detail...
Content Overview
The whole product broken down - section by section, in enough detail to make it clear what you will see/hear, including cinematic ideas, layout, technical language etc. Obviously you only need to think about the techniques that are going to be relevant to your plans.
Contributors – Locations – Assets – Equipment (CLAE)
- Where are you going to shoot/record? Why there? How will you do a recce? Why?
- Risk Assessment – You don’t have to produce a standard risk assessment form in the actual controlled assessment but you do have to demonstrate that you know that you need risk assessments, why you need them, and how you will carry them out, and you have to identify what you will do
- For example – “My video will be feature a group of men sitting in armchairs trying to play football against a younger group standing up and running around. One of the issues for Risk Assessment is safe handling and moving of the armchairs. Bad handling procedures can cause serious injuries. Chairs must always be moved by more than one person, must not be moved unless it’s necessary, and anyone involved must have basic manual handling training.”
- There are stages to this work – identify likely locations, carry out a recce, decide on locations, risk assess the production activity in each and every location and produce a risk assessment and a plan to minimise risk. The purpose of a risk assessment is to identify any likely risk of harm or damage to people or equipment that could happen through carrying out production activity in that location, using a system to estimate the likely risk of harm occurring and the likely extent of that harm, making plans to minimise the risk of harm occurring and to minimise the extent of any harm that could still occur, and then to use that Risk Assessment as a working document on set to keep cast, crew and the public safe. Risk assessments would need to consider slip and trip hazards, electrical equipment and trailing leads, makeup sensitivity, photo-sensitive epilepsy and any other existing medical conditions of the staff
- Equipment lists – what are you going to need to use – be precise and don’t forget about editing, or about contingencies (spare battery packs, for example). We will produce a list of our available equipment for you.
- Contributors – what people will need to be involved behind and in front of the camera?
- Assets – what else do you have or might you need? Make up artists? Costumes and props? Music?
Legal and Ethical Issues
You should include all legal and ethical issues relevant to your product - you don’t need to discuss things that are irrelevant to your project – there’s no need to discuss protecting children from extreme material if there’s no extreme material in your plans, for example.
Technical Considerations
- Identify any specialist equipment or locations you might need – both media production equipment (smoke machine?) or something specialist needed as a prop or setting (a gym machine in a public gym of some kind would produce more than the usual health and safety needs, for example. A car on a public road might be another example).
- Identify any on camera or post-production special effects that will be needed
- Identify any requirements for voice-over
Scheduling/Planning
- You need a detailed production plan that ties into the key dates you have been given in the commission brief.
- You need to plan to be finished in advance of the required date so that your work can be presented to the client for approval before it’s needed
- You don’t need the kind of extraordinarily detailed time planning you do for other units. A day by day plan for the shoot and the edit, breaking down shooting plans for different locations, and a week by week plan for the preproduction, is okay.
- You need a realistic budget. Use your equipment list, and we can help with a cost list if needed.
Activity 4 - The Treatment
Justification example:
Frame 1
The brief is aimed at teenagers so my setting of a school will speak to them in a clear and obvious way
My film opens with a wide shot of the classroom to establish the setting immediately. In a 30 second commercial there isn’t time to add an external establishing shot of the school itself.
Although it doesn’t show on the drawn storyboard a key mise en scene aspect of the shot will be all of the rectangles of light coming from the phone screens that students are holding around the room. This will be instantly recognisable to my target audience and establishes the key theme of the film – screentime.
Just the diagetic sound of the teacher talking – part of creating a real world atmosphere for the audience
This location is practical and straightforward for me to shoot in, doesn’t involve travel or complicated bookings. The one practical production issue to be addressed is checking ages in case there is a need for parents/guardians to sign consent forms and contributor release forms.
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